Transforming a luxurious space into a true embodiment of haute couture – that is the vision behind the legendary Parisian house Maison Margiela and its latest project, Maison Margiela Residences.

For its debut in the realm of residential architecture, the brand has chosen an exceptional location – Dubai. The complex, comprising 25 exclusive apartments, will be situated on the iconic Palm Jumeirah, offering panoramic sea views and convenient access to the city’s finest restaurants and boutiques.

Though fashion has always remained at the heart of Maison Margiela’s philosophy, the House has long nurtured an interest in architecture, interior, and product design.

«Architecture and design have been integral to Maison Margiela’s philosophy since its founding in 1988. Maison Margiela Residences represent a new expression of our values and a continuation of our unconventional approach to design. Exquisite finishes, leather stitching, noble materials, red marble, and vintage mirrors challenge traditional perceptions of interior aesthetics», noted Gaetano Sciuito, CEO of Maison Margiela, in an interview with Vogue Arabia.

Examples of the brand’s creative daring include the theatrical staging of its runway shows, the reinterpretation of Paris’s La Maison Champs-Élysées hotel in 2011, and the creation of art objects such as lamps made from recycled bottles, nesting dolls, quill pens, and pristine white cushions.

The residence project was designed by architect Carlo Colombo in collaboration with construction company Alta Real Estate Development. Each apartment is uniquely styled and furnished with handcrafted pieces. Interiors feature golden accents, travertine walls, red marble, and silver-coated mirrors.

«I create dreams – for living, working, and relaxation. My path is rooted in respect for craftsmanship, for those who create, and for those who bring design to life», says Colombo, whose works appear in the collections of Poliform, Artemide, Bugatti, Bentley, and Elie Saab.

The complex will also include an art gallery, a library, fitness studios, a swimming pool, a spa, and a welcoming Margiela Café.

Photo: voguearabia.com

At Paris Fashion Week, Maison Margiela unveiled its new Spring-Summer collection, in which Glenn Martens revisited the house’s legacy, reimagining the aesthetic of deconstruction with a fresh, contemporary voice.

The show opened with models wearing metallic mouthpieces – a symbolic nod to the four signature stitched logos, once emblematic of the brand’s anonymity. The collection was dominated by aged leather ensembles: wide trousers, jackets with reversed linings, and long trench coats.

Textures and technique took center stage: Martens experimented with denim, patchwork, and sheer fabrics – translucent retro jumpsuits, silk mini dresses with lace, Victorian blouses with ruffles, and chiffon maxi skirts.

Models’ bodies were wrapped in tape to «attach» lace tops and oversized bracelets – one of these tops transformed into a striking dress by the finale.

The runway also featured waxed kimonos with silk scarf runners and vinyl coats, accented by vibrant silk accessories.

Floral motifs appeared in embroidery and jackets with cracked-paint effects, as if the garments were alive in their own right. The looks were completed with plastic-strap clogs, boots crafted from rubber rods, and men’s loafers with open toes.

The soundtrack was an improvised performance by children playing instruments without rules – a nod to the legendary Spring-Summer 1990 show, when toddlers ran among the models. This playful cacophony became a metaphor for Martens himself: like a young musician, he continues to interpret Margiela’s score – unevenly, but with feeling and a fearless spirit of experimentation.

Photo: Vogue Runway

The legendary Parisian fashion house Maison Margiela, founded in 1988 by Belgian designer Martin Margiela, has unveiled its new Fall–Winter campaign. The face of the collection, titled Loved To Death, is Miley Cyrus.

Photographed by Paolo Roversi, the singer is immortalized in painterly, dreamlike portraits that expose the codes and archetypes integral to the Maison’s aesthetic.

The 32-year-old artist appears in iconic Maison Margiela silhouettes. Styled by Robbie Spencer, Miley dons pieces with the label’s signature deconstructed tailoring, second‑skin layering, and iconic accessories – including a reimagined 5AC bag and reinvented Tabi boots, which have become the season’s symbol.

The campaign continues Margiela’s exploration of time as expressed through clothing. Using techniques from the brand’s Artisanal atelier, Loved To Death embodies a philosophy of preservation and repurposing. The focus is on fabrics bearing the marks of care and life – intentionally wrinkled, faded, patched, steamed, pressed, and perfected. These garments feel reborn, as if passed down through generations. Rather than concealing age, Maison Margiela elevates it as the centerpiece of its narrative.

The campaign’s title, Loved To Death, crystallizes this concept. Miley Cyrus’s portraits show clothing proudly bearing the passage of time – a testament to love, wear, and care.

The collection underscores the Maison’s ethos: preservation through reinterpretation. Value is accrued through use and thoughtful maintenance. Every crease, patch, and stitch contributes to a personal history and deepens the bond between wearer and garment. This meditation on materiality calls on the audience to reject the notion of disposable fashion and appreciate beauty in endurance and renewal.

In recent years, Miley Cyrus has frequently fronted high-profile fashion campaigns. In 2021, she represented Gucci’s Flora Gorgeous Gardenia fragrance, and in 2024, she collaborated with Dolce & Gabbana. The Loved To Death campaign with Maison Margiela marks a new chapter in her fashion journey – expressive, intimate, and deeply symbolic.

Photo: Paolo Roversi

Yesterday, the fashion industry was shaken by unexpected news—British designer John Galliano is stepping down as creative director of Maison Margiela after ten years of work.

«Working with Maison Margiela has been an incredible journey for me. It was a place where I could freely bring my boldest ideas to life and share them with the world. But now it’s time to move on and open a new chapter in my life», he wrote on his social media.

Who will take his place remains unknown. Neither the designer nor the brand has disclosed plans for the near future. However, there is speculation that Galliano might take on the role of creative director at Chanel, as the leadership of the fashion house has yet to find a replacement for Virginie Viard.

It’s important to note that Galliano is leaving Maison Margiela at the peak of its popularity. His unique style and masterful work with the brand’s heritage have made him one of the greatest designers of our time. His latest spring-summer collection, showcased during Couture Week in Paris, is a testament to his brilliance. Yet none of this would have been possible without the second chance he received in 2014 from Renzo Rosso, the president of Maison Margiela’s parent company, OTB.

Galliano joined Maison Margiela a few years after his dismissal from Dior. At the time, he was going through a difficult period: his legacy had been tarnished by a careless antisemitic remark. Additionally, he struggled with severe alcohol addiction, which he managed to overcome – Galliano has been sober for 14 years.

Photo: @maisonmargiela